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"And did you think I was content to let him die" says Mona, reproachfully. "No! There is a chance for him still, and I will explain it to you. It is early yet. He seldom passes here before eleven, and it is but a little after ten. I know the hour he usually returns, because he always goes by our gate, and often I bid him good-night in the summer-time. Come with me," excitedly. "I can lead you by a cross-path to the Ballavacky road, by which he must come, and, if we overtake him before he reaches that spot, we can save his life. Come; do not delay!" Altogether, things are very disappointing; though perhaps there is comfort in the thought that no one is waiting round a corner, or lying perdu in a ditch, ready to smash the first comer with a blackthorn stick, or reduce him to submission with a pike, irrespective of cause or reason. "Mona," says Geoffrey, to her suddenly, in a low whisper, throwing his arm round her (they are driving home, alone in the small night-brougham)—"Mona, do you know what you have done to-night? The whole room went mad about you. They would talk of no one else. Do not let them turn your head.".

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The Australian seems particularly struck with this fact. He stares in a thoughtful fashion at the wall with the small panels, seeming blind to the other beauties of the room. An old man, rugged but kindly-featured, rises on his entrance, and gazes at him expectantly. Mona, going up to him, rests her hand upon his arm, and, indicating Geoffrey by a gesture, says, in a low tone,— "On no account quarrel with Lady Rodney. Bear for the next few weeks (they will quickly pass) anything she may say, rather than create a breach between mother and son. You hear me, Mona?" "I do adore somebody," returns that ingenuous youth, staring openly at Mona, who is taking up the last stitch dropped by Lady Rodney in the little scarlet silk sock she is knitting for Phyllis Carrington's boy..